{"id":11258,"date":"2021-09-13T10:00:37","date_gmt":"2021-09-13T17:00:37","guid":{"rendered":"https:\/\/scottsdaleperf.wpengine.com\/?post_type=tribe_events&#038;p=11258"},"modified":"2022-03-05T18:09:39","modified_gmt":"2022-03-06T01:09:39","slug":"aoife-odonovan","status":"publish","type":"tribe_events","link":"https:\/\/scottsdaleperformingarts.org\/event\/aoife-odonovan\/","title":{"rendered":"Aoife O\u2019Donovan\u00a0"},"content":{"rendered":"<h3>About the Event<\/h3>\n<p><span data-contrast=\"auto\">Grammy\u00ae-winning artist Aoife O&#8217;Donovan operates in a thrilling musical world beyond genre. Deemed &#8220;a vocalist of unerring instinct&#8221; by\u00a0<\/span><i><span data-contrast=\"auto\">The New York Times<\/span><\/i><span data-contrast=\"auto\">, she has released three critically-acclaimed and boundary-blurring solo albums including<\/span><i><span data-contrast=\"auto\">\u00a0In the Magic Hour<\/span><\/i><span data-contrast=\"auto\">, which\u00a0<\/span><i><span data-contrast=\"auto\">Rolling Stone<\/span><\/i><span data-contrast=\"auto\">\u00a0hailed for its &#8220;Impressionistic, atmospheric songs [that] relay their narratives against gorgeous pastoral backdrops.\u201d\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">A savvy and generous collaborator, O&#8217;Donovan is one third of the group I&#8217;m With Her with bandmates Sara Watkins and Sarah Jarosz. The trio&#8217;s debut album, <\/span><i><span data-contrast=\"auto\">See You Around<\/span><\/i>, <span data-contrast=\"auto\">was hailed as &#8220;willfully open-hearted&#8221; by NPR Music and earned the group a Grammy\u00ae in 2020 for Best American Roots Song. O&#8217;Donovan spent the preceding decade as cofounder and frontwoman of the string band Crooked Still and is the featured vocalist on <em>The Goat Rodeo Sessions<\/em> with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">O&#8217;Donovan spent the\u00a0winter and\u00a0spring of 2021 in the studio with acclaimed producer Joe Henry (Bonnie Raitt, Rhiannon Giddens) recording her third full-length solo album titled\u00a0<\/span><i><span data-contrast=\"auto\">Age of Apathy<\/span><\/i><span data-contrast=\"auto\">, just released in January 2022. This show will feature O&#8217;Donovan and her band playing selections from this new album.<\/span><\/p>\n<p>Of the new album, <em>Pitchfork<\/em> writes: \u201cOn <em>Age of Apathy<\/em>, she taps into the propulsion of prime Joni Mitchell: a restless mind bouncing against the blur of one\u2019s surroundings. She has that same actor\u2019s sense\u2014when to go big, when to bring it backwards.\u201d<\/p>\n<p><em>PopMatters<\/em> also reviewed <em>Age of Apathy<\/em>, writing: \u201cThe final results are lushly layered and sophisticated. O\u2019Donovan is often considered a singer-songwriter and folkie, but this release finds her music hard to pigeonhole as its connections to contemporary jazz and even classical music are clearly evident.\u201d<span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Taylor Ashton<\/span><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Raised in Vancouver, Canada, Taylor Ashton now lives in Brooklyn, and recently released his\u00a0first solo album,\u00a0<\/span><i><span data-contrast=\"auto\">The Romantic<\/span><\/i><span data-contrast=\"auto\">\u2014an ode to the devastating, ecstatic, gritty, sexy decade of his 20s, woven together through his\u00a0five-string banjo with the help of 18 different musicians from the Brooklyn music scene and\u00a0all across\u00a0the United States\u00a0and Canada.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Ashton\u2019s\u00a0career began in Vancouver as\u00a0frontman\u00a0and songwriter for\u00a0Fish &amp; Bird. The Vancouver Folk Fest called the\u00a0group\u00a0\u201cCanada\u2019s most unique folk-rock ensemble,\u201d\u00a0with reviewers taking note of\u00a0Ashton\u2019s\u00a0\u201coff-kilter lyrical excursions\u201d (<\/span><i><span data-contrast=\"auto\">The Georgia Straight<\/span><\/i><span data-contrast=\"auto\">) and his \u201crich, compelling voice\u201d (<\/span><i><span data-contrast=\"auto\">Exclaim!<\/span><\/i><span data-contrast=\"auto\">). From 2006 to 2014,\u00a0Fish\u00a0&amp; Bird\u00a0recorded\u00a0four\u00a0albums and exhaustively made the rounds of the festival and touring circuit of Canada, the United States, and the United Kingdom.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The 12 new songs on\u00a0Ashton\u2019s\u00a0solo debut chronicle leaving a relationship, a band, and Canada. He moved from Toronto to New York City, ready to take a break from the heavy touring schedule of\u00a0Fish &amp; Bird and to\u00a0find himself in a new setting. He survived by singing and playing clawhammer banjo in the subway, turning heads with covers that leaned more Motown than hoedown. Over the years he also made a living as an illustrator, an audio book narrator,\u00a0a songwriting teacher,\u00a0and\u00a0an occasional sideman for British country-soul singer Yola. He\u00a0was even hired by\u00a0<\/span><i><span data-contrast=\"auto\">The New York Times<\/span><\/i><span data-contrast=\"auto\">\u00a0to write a song about the debt-ridden subway system. Fueled by $1 pizza slices and the intoxicating creative energy of his new hometown, he wrote\u00a0more than\u00a0400 songs. \u201cA lot of them were pretty dumb,\u201d he said. \u201cBut some that I thought were dumb turned out to be good.\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">While making\u00a0<\/span><i><span data-contrast=\"auto\">The Romantic<\/span><\/i><span data-contrast=\"auto\">,\u00a0Ashton\u00a0also\u00a0teamed up with fellow songwriter Courtney Hartman to record a spare duo album,\u00a02018\u2019s\u00a0<\/span><i><span data-contrast=\"auto\">Been\u00a0On\u00a0Your Side<\/span><\/i><span data-contrast=\"auto\">, which\u00a0was nominated for an Independent Music Award and earned praise in\u00a0<\/span><i><span data-contrast=\"auto\">Rolling Stone<\/span><\/i><span data-contrast=\"auto\">,\u00a0saying\u00a0it \u201cpacks a punch in today\u2019s mainstream.\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recognized for her ethereal voice and substantive songwriting,\u00a0Aoife O\u2019Donovan has been called \u201ca vocalist of unerring instinct\u201d by\u00a0<i>The New York Times<\/i>.\u00a0<\/p>\n","protected":false},"author":16,"featured_media":11824,"comment_status":"open","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[190],"acf":[],"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Scottsdale Center For The Performing Arts","distributor_original_site_url":"https:\/\/scottsdaleperformingarts.org","push-errors":false,"_links":{"self":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/tribe_events\/11258"}],"collection":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/comments?post=11258"}],"version-history":[{"count":0,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/tribe_events\/11258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/media\/11824"}],"wp:attachment":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/media?parent=11258"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/tags?post=11258"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/tribe_events_cat?post=11258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}