{"id":7731,"date":"2020-06-19T08:00:00","date_gmt":"2020-06-19T15:00:00","guid":{"rendered":"https:\/\/scottsdaleperf.wpengine.com\/?p=7731"},"modified":"2020-06-18T19:27:21","modified_gmt":"2020-06-19T02:27:21","slug":"emancipation-marathon","status":"publish","type":"post","link":"https:\/\/scottsdaleperformingarts.org\/2020\/06\/19\/emancipation-marathon\/","title":{"rendered":"Emancipation Marathon"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" src=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02-1024x768.jpg\" alt=\"\" class=\"wp-image-7733\" srcset=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02-1024x768.jpg 1024w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02-300x225.jpg 300w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02-768x576.jpg 768w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02-400x300.jpg 400w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02-750x563.jpg 750w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02-1140x855.jpg 1140w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-02.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Gabriel Bey performs &#8220;Lift Every Voice and Sing&#8221; on his trumpet at the historic Rosson House at Heritage Square in downtown Phoenix. Bey&#8217;s performance and a reading are part of this year&#8217;s Emancipation Marathon online. Photo: Scottsdale Arts<\/figcaption><\/figure>\n\n\n\n<h2>The 24th Annual Emancipation Marathon \u2014 A Literary Tradition<\/h2>\n\n\n\n<h4>Friday, June 19 \u2013 Sunday, June 21, 2020&nbsp;<\/h4>\n\n\n\n<p>There is no national recognition of the victims of American Chattel Slavery. The Emancipation Marathon is an annual literary marathon, which was established in 1997 and continues to present day.&nbsp;&nbsp;<\/p>\n\n\n\n<p>During&nbsp;The&nbsp;Emancipation Marathon, volunteers read aloud about \u201cthat peculiar institution,\u201d American Chattel Slavery,&nbsp;in honor of those African victims. The structure of The Emancipation Marathon reading selections adhere to the following four themes within in the context of American Chattel Slavery:&nbsp;<\/p>\n\n\n\n<p><strong>Slavery<\/strong>:&nbsp; the definition&nbsp;<\/p>\n\n\n\n<p><strong>Slavery<\/strong>:&nbsp; the law&nbsp;<\/p>\n\n\n\n<p><strong>Slavery<\/strong>:&nbsp; the human condition&nbsp;<\/p>\n\n\n\n<p><strong>Slavery<\/strong>:&nbsp; the legacy&nbsp;<\/p>\n\n\n\n<p>Due to the COVID-19 pandemic,&nbsp;readings for The Emancipation Marathon&nbsp;were&nbsp;recorded and will be published throughout the weekend, from&nbsp;June 19\u201321,&nbsp;on the Facebook page of <a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/Emancipation-Arts-LLC-205168769685891\/\" target=\"_blank\">Emancipation Arts LLC<\/a> as well as the <a href=\"https:\/\/www.youtube.com\/playlist?list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF\" target=\"_blank\" rel=\"noreferrer noopener\">Center\u2019s YouTube channel<\/a>.&nbsp;<\/p>\n\n\n\n<p>Scottsdale Center for the Performing Arts is humbled to be a part of the production of The Emancipation Marathon this year\u2014in partnership with Emancipation Arts, <a rel=\"noreferrer noopener\" href=\"https:\/\/heritagesquarephx.org\/\" target=\"_blank\">The Heritage Square Foundation<\/a>, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.localfirstaz.com\/\" target=\"_blank\">Local First Arizona<\/a>,&nbsp;and the <a rel=\"noreferrer noopener\" href=\"https:\/\/piper.asu.edu\/\" target=\"_blank\">Virginia G. Piper Center for Creative Writing<\/a>\u2014to commemorate the Emancipation&nbsp;from&nbsp;slavery in America, recognized nationally on&nbsp;Juneteenth&nbsp;(June 19).&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" src=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03-1024x768.jpg\" alt=\"\" class=\"wp-image-7736\" srcset=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03-1024x768.jpg 1024w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03-300x225.jpg 300w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03-768x576.jpg 768w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03-400x300.jpg 400w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03-750x563.jpg 750w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03-1140x855.jpg 1140w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-03.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Sharla Johnson reads \u201cAren\u2019t I A Woman?\u201d&nbsp;by Sojourner Truth at Heritage Square for the Emancipation Marathon. Johnson also performed an a cappella rendition of &#8220;Lift Every Voice and Sing&#8221; for the recordings. Photo: Scottsdale Arts.<\/figcaption><\/figure>\n\n\n\n<p>This&nbsp;year\u2019s readings were extracted from&nbsp;the following:&nbsp;&nbsp;<\/p>\n\n\n\n<ul><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=jkoBa8PtUcQ&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=2&amp;t=0s\" target=\"_blank\">Borderland Chronicles No. 23<\/a><\/em>\u00a0by Cindy\u00a0Hayostek, 2013 (Excerpt:\u00a0\u201cFairfax W. Burnside Fights Segregation in the Douglas Schools System\u201d)\u00a0\u2014\u00a0read by Kari Carlisle, executive director, Heritage Square\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=ttiSDQpRAvw&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=3&amp;t=0s\" target=\"_blank\">Slavery Defended:\u00a0The\u00a0Views of the Old South<\/a><\/em>, 1963 (Excerpt:\u00a0\u201cCotton is King\u201d\u00a0by David Christy)\u00a0\u2014 read by Diandra Adamczyk, senior programming coordinator,\u00a0Scottsdale Center for the Performing Arts\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=i_bnPeUdRPY&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=4&amp;t=0s\" target=\"_blank\">How Mass Produced and Widely Distributed Images Helped the Abolitionist Movement<\/a><\/em>\u00a0by\u202fFrank H. Goodyear, III (Excerpt:\u00a0\u201cThe Scourged Back: How\u00a0Runaway Slave and Soldier Private Gordon Changed History\u201d)\u00a0\u2014 ready by\u00a0Rashaad Thomas,\u00a0poet\u00a0<\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=Ka7XMwcsUeM&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=5&amp;t=0s\" target=\"_blank\">\u201cThe Slaver\u201d<\/a>\u00a0from\u00a0<em>John Brown\u2019s Body<\/em>\u00a0by Stephen Vincent Benet, 1927 (Excerpt:\u00a0\u201cPrelude\u201d)\u00a0\u2014 read by\u00a0Greg Esser, vice president, Roosevelt Row Corp.\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=V2M6OAh2vzs&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=6&amp;t=0s\" target=\"_blank\">Africans in America<\/a><\/em>\u00a0by Charles Johnson,\u00a0Patricia Smith,\u00a0and\u00a0the WGBH Series Research Team\u00a0(Excerpt:\u00a0\u201cMartha\u2019s Dilemma\u201d)\u00a0\u2014 read by Jennifer\u00a0Hance, director of education, Heritage Square\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=quj0iYfjcfo&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=7&amp;t=0s\" target=\"_blank\">The African American Experience in Tempe<\/a><\/em>\u00a0by Jared Smith, 2010 (Excerpt:\u00a0Chapters\u00a02 and 3)\u00a0\u2014 read by Nicole Underwood, author\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=rRGW5hLdd4I&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=8&amp;t=0s\" target=\"_blank\">We Are Who We Say We Are: A\u00a0Black Family\u2019s Search Home Across the Atlantic World<\/a><\/em>\u00a0by Mary Frances Berry, 2015 (Excerpt:\u00a0\u201cBecoming Colored Creole\u201d)\u00a0\u2014 read by\u00a0Miguel\u00a0Monzon, curator, Modified Arts\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=wjznOeFpX9g&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=9&amp;t=0s\" target=\"_blank\">Sons of Mississippi<\/a>\u00a0<\/em>by Paul Hendrickson, 2003 (Excerpt:\u00a0\u201cGrimsley\u201d)\u00a0\u2014 read by Scotty Spenner, musician\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=h17LnI9ySt8&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=10&amp;t=7s\" target=\"_blank\">The Slave Trade<\/a><\/em>\u00a0by Hugh Thomas, 1997 (Excerpt:\u00a0\u201cSharks Are the Invariable Outriders of All Slave Ships\u201d)\u00a0\u2014 read by\u00a0Ahmad Daniels, author\u00a0<\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=V6YaO9dj_ZI&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=11&amp;t=0s\" target=\"_blank\">\u201cHow Native American Slaveholders Complicate the Trail of Tears Narrative\u201d<\/a>\u00a0by Ryan P. Smith (<em>Smithsonian\u00a0<\/em>magazine, 2018)\u00a0\u2014 read by\u00a0Neal Lester, professor of English literature\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=9k6qtwW9NLs&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=12&amp;t=0s\" target=\"_blank\">50 Essays: A Portable Anthology<\/a><\/em>, 2004 (Excerpt:\u00a0\u201cAren\u2019t I A Woman?\u201d\u00a0by Sojourner Truth)\u00a0\u2014 read by Sharla Johnson, minister (who also performed\u00a0an a cappella rendition of \u201cLift\u00a0Every Voice and Sing\u201d)\u00a0<\/li><li><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=EOz7e4EOqXM&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=13&amp;t=0s\" target=\"_blank\">A Wreath for Emmet Till<\/a><\/em>\u00a0by Marilyn Nelson, 2005 (Excerpt: &#8220;Forget him not. Though if I could, I would.&#8221;)\u00a0\u2014 read by Gabriel Bey, musician (who also performed\u00a0\u201cLift Every Voice and Sing\u201d on trumpet)\u00a0<\/li><li><em><a href=\"https:\/\/www.youtube.com\/watch?v=NPJzi-bPhH0&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=14&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\">Organized Labor &amp; The Black Worker<\/a><\/em>\u00a0(Excerpt: Chapter 1 from\u00a0\u201cSlavery to Freedom\u201d)\u00a0\u2014 read by\u00a0Julie Petersen, playwright\u00a0<\/li><li><em><a href=\"https:\/\/www.youtube.com\/watch?v=NPJzi-bPhH0&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=14&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\">The Battle of Negro Fort: The Rise and Fall of\u00a0a\u00a0Fugitive Slave Community<\/a><\/em>, Matthew J. Clavin, 2019 (Excerpt:\u00a0\u201cThe British Post on Prospect Bluff\u201d)\u00a0\u2014 read by\u00a0Matt Herman, healthcare professional\u00a0<\/li><li><em><a href=\"https:\/\/www.youtube.com\/watch?v=NPJzi-bPhH0&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=14&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\">American Slavery 1619\u20131877<\/a><\/em>\u00a0by Peter\u00a0Kolchin, 2003 (Chapter\u00a04)\u00a0\u2014 read by Keith Johnson, musician\u00a0(who also performed \u201cLift Every Voice and Sing\u201d on steel drum)\u00a0<\/li><li><em><a href=\"https:\/\/www.youtube.com\/watch?v=qeO9fiHKfFU&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=17&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\">Not All Okies Are White | The Fabric of Black Life<\/a><\/em>\u00a0by\u00a0Geta\u00a0LeSeur, 2000 (Excerpt: pp.\u00a097\u2013102)\u00a0\u2014 read by Jason Landrum Jr., health insurance professional\u00a0<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=wpUPly054Vo&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=18&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Devaluation of Assets in Black Neighborhoods<\/em> | <em>The Case for Residential Property<\/em><\/a>\u00a0by Andre Perry, Jonathan Rothwell, David Harshbarger, 2019\u00a0\u2014 read by\u00a0Matthew Aguilar, director of events, Heritage Square\u00a0<\/li><li><em><a href=\"https:\/\/www.youtube.com\/watch?v=9PrPzlWJKBI&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=19&amp;t=45s\" target=\"_blank\" rel=\"noreferrer noopener\">White Fragility<\/a><\/em>\u00a0by Robin Diangelo, 2018 (Excerpt:\u00a0\u201cThe Challenges of Talking to White People About Racism\u201d)\u00a0\u2014 read by Brian Passey, senior communications specialist, Scottsdale Arts\u00a0<\/li><li><em><a href=\"https:\/\/www.youtube.com\/watch?v=0j9VSH8Tqpg&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=20&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\">America\u2019s War: Talking About the Civil War and Emancipation on\u00a0Their 150th\u00a0Anniversaries<\/a><\/em>, edited by Edward L. Ayers, 2012 (Excerpt: \u201cWhat to the Slave is the 4th\u00a0of July\u201d by Frederick Douglas, July 5, 1852)\u00a0\u2014 read by Jason Landrum Sr., truck driver\u00a0<\/li><li><em><a href=\"https:\/\/www.youtube.com\/watch?v=5rNL72HDaRc&amp;list=PLd7iAuM7aaQGBReGYR9juBk05ww_SCtoF&amp;index=21&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\">The Half Has Never Been Told: Slavery and American Capitalism<\/a><\/em>\u00a0by Edward Baptist, 2014 (Excerpt:\u00a0\u201cLeft Hand\u201d)\u00a0\u2014 read by\u00a0Clottee\u00a0Hammons, creative director, Emancipation Arts\u00a0<\/li><\/ul>\n\n\n\n<h3><strong>About Emancipation Arts LLC&nbsp;<\/strong><\/h3>\n\n\n\n<p>The Mission of Emancipation Arts is to raise the profile of Black artists and honor our enslaved African ancestors through Arts practices, dissemination of relevant history and egalitarian collaborations.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"997\" height=\"748\" src=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-01.jpg\" alt=\"\" class=\"wp-image-7734\" srcset=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-01.jpg 997w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-01-300x225.jpg 300w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-01-768x576.jpg 768w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-01-400x300.jpg 400w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-01-750x563.jpg 750w\" sizes=\"(max-width: 997px) 100vw, 997px\" \/><figcaption>Clottee Hammons, creative director for Emancipation Arts, reads from <em>The Half Has Never Been Told: Slavery and American Capitalism<\/em>&nbsp;by Edward Baptist at Heritage Square for the Emancipation Marathon. Photo: Scottsdale Arts.<\/figcaption><\/figure>\n\n\n\n<h3><strong>About\u00a0Clottee\u00a0Hammons<\/strong><\/h3>\n\n\n\n<p>Clottee&nbsp;A. Hammons, creative director for Emancipation Arts, \u202fgrew up in the segregated downtown Phoenix area and is the granddaughter of a 10th Calvary Buffalo Soldier. She views that legacy with pride and a strong sense of social responsibility.&nbsp;<\/p>\n\n\n\n<p>Hammons is an\u00a0artist,\u00a0writer,\u00a0poet,\u202factivist,\u00a0educator,\u00a0and\u00a0prevention\u00a0specialist. She views her special call as a &#8220;community builder&#8221; and works in grateful collaboration with numerous artists, organizations,\u00a0and individuals while being conscientious and mindful of honoring her ancestors.\u00a0Hammons is passionate about literature, history, libraries,\u00a0and librarians. She\u202fis the creator and ongoing facilitator of the Emancipation Marathon\u2014a literary tradition that honors the victims of American Chattel Slavery.\u00a0<\/p>\n\n\n\n<p>Her essay &#8220;Disguised&nbsp;As&nbsp;Nice&#8221; was published in&nbsp;<em>Once Upon\u202fa Time in a Different World: Issues and Ideas in African American Children\u2019s Literature<\/em>&nbsp;(Routledge 2007).&nbsp;She has written articles for the Black Voice News, Phoenix Downtown Magazine,&nbsp;The Arizona Informant.&nbsp;<\/p>\n\n\n\n<p>Hammons recently curated and presented two exhibitions in Phoenix:&nbsp;<em>The Great Migration<\/em>&nbsp;and&nbsp;<em>The Spillover Effect<\/em>.&nbsp;Read more about these projects&nbsp;here:&nbsp;&nbsp;<\/p>\n\n\n\n<ul><li><strong>Arizona PBS<\/strong><br><a rel=\"noreferrer noopener\" href=\"https:\/\/azpbs.org\/horizonte\/2020\/02\/black-history-month-the-great-migration-indiscernibles-in-arizona\/\" target=\"_blank\">Black History Month: &#8220;The Great Migration: Indiscernibles in Arizona&#8221;<\/a><\/li><li><strong>Modified Arts<\/strong><br><a rel=\"noreferrer noopener\" href=\"https:\/\/modifiedarts.org\/exhibitions\/emancipation-arts-presents-the-spillover-effect\/\" target=\"_blank\">Emancipation Arts presents: The SpilloverEffect<\/a><\/li><li><strong>Phoenix New Times<\/strong><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.phoenixnewtimes.com\/arts\/8-black-artists-to-know-in-arizona-11474485\" target=\"_blank\">8 Black Artists to Know in Arizona<\/a><\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" src=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05-1024x768.jpg\" alt=\"\" class=\"wp-image-7735\" srcset=\"https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05-1024x768.jpg 1024w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05-300x225.jpg 300w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05-768x576.jpg 768w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05-400x300.jpg 400w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05-750x563.jpg 750w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05-1140x855.jpg 1140w, https:\/\/scottsdaleperformingarts.org\/wp-content\/uploads\/2020\/06\/Emancipation-Blog-05.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Jason Landrum Jr. reads from <em>Not All Okies Are White | The Fabric of Black Life<\/em>&nbsp;by&nbsp;Geta&nbsp;LeSeur at <em>The Great Migration<\/em> exhibition in the Heritage Gallery at Heritage Square for the Emancipation Marathon. Photo: Scottsdale Arts<\/figcaption><\/figure>\n\n\n\n<p><em>The Great Migration<\/em>&nbsp;included this writing by Hammons:&nbsp;<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201cIn 1993 an elegant Yoruba priest cast bones on the floor of a pawnshop in San Bernardo,&nbsp;California, and read my past and future. He told me to&nbsp;\u2018honor my ancestors,\u2019&nbsp; His&nbsp;advice was a prescription to cultivate peace in my life. In 1993 I also became a grandmother at age 39.&nbsp;&nbsp;<\/p><p>\u201cThe thought that I could draw to me peace, success, health or whatever might be my heart\u2019s desire was far outside of how I was accustomed to believing the universe worked. I was taught to pray to a designated hitter in the Holy Trinity or all&nbsp;saints&nbsp;lineup and then&nbsp;\u2018roll with the punches.\u2019&nbsp;I found the idea of not getting punched far more appealing, but I had no idea of how to&nbsp;\u2018honor my ancestors,\u2019&nbsp;or even who they were, for the most part.&nbsp;<\/p><p>\u201cFirsthand knowledge of my ancestors stopped with my great grandmother, Effie Stamps. I could clearly remember that she wore a stocking cap and smoked a tiny pipe. She also kept a solitary cotton plant in our front yard on 11th&nbsp;Street, between Monroe and Washington. A passerby once plucked a tuft of cotton from her plant and kept walking.&nbsp;She looked ancient to me, but she moved swiftly and overtook him and hit him on the back and head until he let go of her cotton. Effie passed through my life as tight lipped as the Sphinx about any of her other relatives.&nbsp;<\/p><p>\u201cThe significance of the cotton plant was not lost on me in grammar school, which is where I first heard the words&nbsp;<em>chattel slavery&nbsp;<\/em>and studied the weary, direct gaze of Dred Scott. The plant had long since been uprooted or had died out, but the soil was always marked by an uneven place. I\u2019d like to believe that cotton plant was Effie\u2019s way of honoring her ancestors, or maybe a secret sign to other pilgrims from Natchez Mississippi, or a warning to unscrupulous white men,&nbsp;\u2018Beware, we\u2019re FREE!\u2019\u201d<\/p><cite>\u2014 Clottee Hammons<\/cite><\/blockquote>\n\n\n\n<p>Back to&nbsp;<a href=\"https:\/\/scottsdaleperformingarts.org\/amplify\/?biuid=null&amp;bioid=5d014b5078709712443f67c0\"><em>Amplify<\/em><\/a>&nbsp;home.<br><a href=\"https:\/\/scottsdalearts.org\/connections\/\"><strong>CONNECTIONS<\/strong><\/a>:&nbsp;<a href=\"https:\/\/scottsdaleartslearning.org\/spark\/\"><em>Spark<\/em><\/a><em>&nbsp;|&nbsp;<\/em>&nbsp;<a href=\"https:\/\/scottsdalepublicart.org\/immerse\/\"><em>Immerse<\/em><\/a><em>&nbsp;|&nbsp;<\/em><a href=\"https:\/\/smoca.org\/inspire\/\"><em>Inspire<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>During The Emancipation Marathon, volunteers read aloud about the victims of American Chattel Slavery. This year, the literary marathon was moved online to YouTube.<\/p>\n","protected":false},"author":8,"featured_media":7736,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[63],"tags":[146,145,144,143,147],"acf":[],"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Scottsdale Center For The Performing Arts","distributor_original_site_url":"https:\/\/scottsdaleperformingarts.org","push-errors":false,"_links":{"self":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/posts\/7731"}],"collection":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/comments?post=7731"}],"version-history":[{"count":0,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/posts\/7731\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/media\/7736"}],"wp:attachment":[{"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/media?parent=7731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/categories?post=7731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsdaleperformingarts.org\/wp-json\/wp\/v2\/tags?post=7731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}